VANDEMONIAN LAGS
Festival Theatre
18 June 2014 (One night only)
18 June 2014 (One night only)
Cabaret! The word conjures images of feather boas, cocktail
glasses, slightly risqué content, Broadway and razzle dazzle. When looking
through the Cabaret Festival guide this show, looked, well it didn't look very
cabaret-ish. A collection of songs about petty criminals being transported to Tasmania as convicts in
the 1800's? Sounds a bit...depressing. But wait a minute. These songs are
written by former Weddings Parties
Anything head honcho Mick Thomas
and the cast includes Brian Nancurvis
(Rockwiz), Darren Hanlon, Aussie
blues legend Jeff Lang, You Am I front man Tim Rogers and a stellar
cast of other singers and musicians.
It is a half full Festival theatre this evening which is a damnable shame, because Vandemonian Lags is an amazing piece of work. Yes the content isn't always cheery (mostly un-cheery in actual fact), but all of the songs have incredible emotional impact. There is a connectivity, a sense of 'there but for the grace of God go I', a spirit of humanity and even hope, that is both melancholy and rare.
Nancurvis and Rogers mostly take roles as narrators in guises as upper class gentlemen or easily offended judges casting people to transportation to the colonies for stealing or larceny. Both are exceptional in these linking roles, andRogers is
such a natural in his various characterizations I wonder if we will be seeing
him in Pirates of Penzance before too long. The 17 stories told see each
'convict' tell their sorry tale about how they come to being shipped off to Tasmania , considered the
'prison with no walls', or how they survived. Tales of love and loss, desperation,
injustice and redemption. The songs range from sad laments, jaunty folk
shanties to some rip roaring rock and roll.
It is a half full Festival theatre this evening which is a damnable shame, because Vandemonian Lags is an amazing piece of work. Yes the content isn't always cheery (mostly un-cheery in actual fact), but all of the songs have incredible emotional impact. There is a connectivity, a sense of 'there but for the grace of God go I', a spirit of humanity and even hope, that is both melancholy and rare.
Nancurvis and Rogers mostly take roles as narrators in guises as upper class gentlemen or easily offended judges casting people to transportation to the colonies for stealing or larceny. Both are exceptional in these linking roles, and
Mick Thomas has created a remarkable piece of work here. It is an powerful emotional journey, with fantastic songs and very strong performances. These are songs and performances that will have a resonance long after the curtain closes. I believe this to be a work that will have a long life and I can see it performed by an ever changing cast long into the future.
Ian Bell
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